Clarice Beckett is now recognized as one of the great and highly individual female painters in Australia’s landscape tradition. She was passionate about the philosophy and practice of painting and inspired by the teachings of Max Meldrum.  Beckett practiced her craft at every available moment. These moments proved limited but Beckett nevertheless managed to exhibit regularly throughout the 1920s and early 1930s.  She used a soft focus to endow a breathing atmospheric reality to her subject matter.  She was a tonal impressionist with a style devoid of detail, her images remain remarkably modern. Her subject matter captured the essence of the Australian city life and bayside suburbs of Melbourne during this time. It was only after her tragic early death in 1935 that her work began to receive the acclaim it deserved.
Arthur Boyd (1920-1999)
Arthur Boyd is one of the most celebrated artists in Australia’s cultural history. He spent his youth painting idyllic impressionist landscapes and portraits of the places and people that surrounded him in Victoria. The onset of World War II was the catalyst for the dramatic shift towards the highly expressive and personal style, which characterised his painting from during the 1940s onwards. Boyd’s images of the deprivation of modern urban society in the war years were infused with Old Testament narrative, and were influenced by German Expressionism, Surrealism and the northern European painting tradition. In the 1950s his poetic depiction of the luminous Wimmera landscape transformed the surface of his paintings with the rich combination of oil, tempera and resin, reflecting his constant experimentation with differing materials and modes of expression.  In 1959 Boyd began to explore the medium of printmaking, producing etchings, lithographs and illustrated books.  Later in life Boyd purchased a property on the Shoalhaven River where his depictions of the infinite variety of this magnificent landscape fueled his artistic imagination until his death in 1999.
Boyd has had hundreds of exhibitions and his works are highly sought after by leading private and public collectors. He is represented in every public collection in Australia and many international public and corporate collections.
Charles Blackman
Charles Blackman was born in Sydney in 1928. At 15 he was working at the Sydney Sun as a press artist and as a young man he had sporadic training at East Sydney Technical College. In the late 40’s he moved to Melbourne where he married Barbara Patterson and received the patronage of John Reed who drew the attention of art critics to his work. During the late 1950’s his success on both the national and international art scene became assured and he is now recognized as one of Australia’s most important and celebrated contemporary artists.

